Bridget Bentz, Molly Seavy-Nesper and Beth Novey adapted it for the Web.Inside Out is a popular Disney/Pixar movie exploring the emotions experienced by an 11-year-old girl, Riley, who moves across the country to San Francisco with her parents. Heidi Saman and Seth Kelley produced and edited this interview for broadcast. This is not appropriate for kids." And then the kid sitting right next to them will sit and explain the entire movie better than I could. But afterwards we ask them questions like, "Did you understand this?" And what seems to happen again again is the parents will say, "This film was too complicated for kids. So you're like, "Oh, we're dying! We're dying!" But we found over the years, like especially the first time they watch something, they're typically just sucking it all up and taking it in. It was probably the second scariest screening, because they're quiet.
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I've definitely found myself, based on our own definition of it, a bit of a lost soul, someone who - to avoid facing all different elements of life - just myself in my work.ĭocter: On Soul, we got started to get worried, like, is this too much? Are kids going to be able to track this? So we brought in an audience full of kids. That's why it was so important that when we introduced the idea of the lost soul - that someone could be lost - but then they could be found. Because when you find something you enjoy and you're passionate about and you actually are pretty good at it, it is so easy to take the extra step of hiding behind that thing and using it to not deal with so many other elements of life. "lost souls," based on our definition of it. Powers: Something that we discussed when making this film was that at different points in our lives and careers, we've all been. 'lost souls,' based on our definition of it.
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So that meant we were kind of free to make stuff up, which is my favorite place to be.Īt different points in our lives and careers, we've all been. What we found was that most of them have a lot to say about what happens after we die - but very few talk about what happened before. On researching depictions and beliefs about the soul for the filmĭocter: I talked to priests and rabbis and experts in Islam, Hinduism, as many of the main religions as we could find, to just see how these different traditions look at the soul and the afterlife and the world beyond our bodily forms. What a coincidence! That's what I am!" to start filling in a lot of those gaps with my own personal experiences. So it was very easy for me say, "Oh, he's supposed to be a 45-year-old Black man from New York. And, of course, it's just the nature of being at Pixar, it doesn't matter whether you're a director or a designer or an artist, you use your life as fuel. And so that just meant that his life had to be filled in. It seemed like Joe was just a very, very lonely man who didn't know anyone and had no friends. I didn't really know anything about his family. Part of it was, I think, because there had been such extreme caution and such a fear of doing things that might offend someone or upset someone, that instead there really hadn't been much done.
Powers: In the early reels, seemed like the least interesting person in the film. Pop Culture Happy Hour 'Soul' Is A Jazzy, Joyful Celebration Of Life
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